| Home: A Memoir of My Early Years | 
 enlarge | Author: Julie Andrews
Publisher: Hyperion
Category: Book
List Price: $26.95
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Avg. Customer Rating:  54 reviews
Sales Rank: 1355
Media: Hardcover
Number Of Items: 1
Pages: 352
Shipping Weight (lbs): 1.4
Dimensions (in): 9.2 x 6 x 1.3
ISBN: 0786865652
Dewey Decimal Number: 791.4028092
EAN: 9780786865659
ASIN: 0786865652
Publication Date: April 1, 2008
Availability: Usually ships in 1-2 business days
Condition: Free tracking of all orders so you know where it is and that it was delivered. Please no correctional institutions. On occasion we may substitute a hardback for a softcover as inventory allows
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Amazon.com Review
Syphilis, alcoholism, infidelity, and indeterminate parentage may seem improbable touchstones in the back story of one who didn't so much portray as embody the blithe Maria in The Sound of Music. But as this memoir of her formative years makes clear, there is more gravitas to Andrews than meets the eye. From her childhood in rural England and initial forays into British theater, to her first massive successes on Broadway and in the West End--notably as Eliza Doolittle in My Fair Lady--Home puts her celebrated career in context. While arguably offering more detail about the Andrews family than necessary, it nevertheless dishes wonderful anecdotes about legends and Andrews contemporaries like Noel Coward, Rex Harrison, Robert Goulet, Richard Burton, and Rodgers and Hammerstein, in prose as crisp and immaculate as the author herself. It also offers a revealing look into the intricate, exhaustive craft of performing--skills often taken for granted in tabloid times. Since the book ends just as Andrews is about to launch into the celluloid stratosphere, can Volume II be far behind? After Home, it would be most welcome. --Kim Hughes
Product Description
Since her first appearance on screen in Mary Poppins, Julie Andrews has played a series of memorable roles that have endeared her to generations. But she has never told the story of her life before fame. Until now. In Home: A Memoir of My Early Years, Julie takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America. Her memoir begins in 1935, when Julie was born to an aspiring vaudevillian mother and a teacher father, and takes readers to 1962, when Walt Disney himself saw her on Broadway and cast her as the world's most famous nanny. Along the way, she weathered the London Blitz of World War II; her parents' painful divorce; her mother's turbulent second marriage to Canadian tenor Ted Andrews, and a childhood spent on radio, in music halls, and giving concert performances all over England. Julie's professional career began at the age of twelve, and in 1948 she became the youngest solo performer ever to participate in a Royal Command Performance before the Queen. When only eighteen, she left home for the United States to make her Broadway debut in The Boy Friend, and thus began her meteoric rise to stardom. Home is filled with numerous anecdotes, including stories of performing in My Fair Lady with Rex Harrison on Broadway and in the West End, and in Camelot with Richard Burton on Broadway; her first marriage to famed set and costume designer Tony Walton, culminating with the birth of their daughter, Emma; and the call from Hollywood and what lay beyond. Julie Andrews' career has flourished over seven decades. From her legendary Broadway performances, to her roles in such iconic films as The Sound of Music, Mary Poppins, Thoroughly Modern Millie, Hawaii, 10, and The Princess Diaries, to her award-winning television appearances, multiple album releases, concert tours, international humanitarian work, best-selling children's books, and championship of literacy, Julie's influence spans generations. Today, she lives with her husband of thirty-eight years, the acclaimed writer/director Blake Edwards; they have five children and seven grandchildren. Featuring over fifty personal photos, many never before seen, this is the personal memoir Julie Andrews' audiences have been waiting for.
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| Customer Reviews: Read 49 more reviews...
 "Somewhere in her youth, she must have done something good" September 15, 2008
1 out of 1 found this review helpful
By now, most everyone who wishes to read this book knows many of the details. But to me, there are two extraordinary things that have become obvious about Dame Julie. First, she writes this book much like she speaks. It's as if she were reading it to me in her own special style. Refined, and with a well developed grasp of the English language. And yet, she has had virtually little, if any, formal education. Her mother put a halt to her tutoring by the age of 14, and she may have received an education that is barely the equivalent of junior high school! How did she manage that? Secondly, after reading about the performances for The Boy Friend, My Fair Lady, Cinderella, and Camelot, it is clear she had a work ethic that approached Herculean stature. Wow!! She has openly admitted that she wondered how she managed to get through it all. Sony Pictures has recently committed to do a film remake of My Fair Lady. The only rightful choice for the role of Henry Higgins' mother is Dame Julie. There are only two scenes for this role, and the last line for her is: "Bravo, Eliza!" Now, fellow Dame Julie admirers, wouldn't that just be ...."Loverly"? And do read this book.
 A Beautifully Written Memoir September 14, 2008
Julie Andrews' greatly anticipated book Home : A Memoir Of My Early Life is just as it should be - honest, practical, humourish, and told without a whiff of vengence or spite.
Like so many other child/young adult stars of film, theatre, TV, Julie Andrews was the daughter of a woman with driving ambition to become a star of vaudeville, who even sacrificed her marriage to Julie's school teacher father to achieve it.
Though this must have proved devastating to a young Julia Wells, who adored her gentle father, there is never any sense of acrimony from the author and certainly no sense of self pity.
Julia Wells comes across as an "old head on young shoulders" as she learns to negotiate the minefield of life, maintaing a close relationship with her father and joining her mother and new step-father - Ted Andrews -treading the boards in vaudeville.
Her sense of loyalty and duty to her now alchoholic mother and fractious step father as they struggle to find enough work to keep them in lodgings
is rewarded when Ted discovers his step daughter Julie has a natural singing voice of her own.And this where the singing career of Julie Andrews begins.
Like Petula Clark's early career, radio beckons as do live concerts, and Julie becomes a great favourite with the war time British public who give her standing ovations - not bad for a 12 year old !
But along the way Julie meets and befriends neighbour Tony Walton - who she will later marry - and a fascinating insight into how these incredibly talented kids had their careers mapped out at an early age emerges.
Having read Richard Rogers autobiography, I was familiar with how Miss Andrews goes to try out for a part in the musical Cinderalla, with Richard Rogers. Her recollection is much the sames as his,and again Rogers' kindness to her and generosity of spirit when he advises Julie that although he would be more than happy if she consented to do Cinderalla for him, that if she gets the nod to do the My Fair Lady lead as Eliza Doolittle for which she has also auditioned - then she should take it. And take it she did - with the rest as we say, being history.
The wear and tear on her voice singing as Eliza night after night and month after month finally took its toll - even though she has always taken great care of her voice and its correct usage.
This is a fine book, full of interesting stories about the Wells family and her mothers family that are shared with us warts and all - yet always the love of family and loyalty to that family shows through.
This isn't a rags to riches story based on "luck".
Julie tells it as a life of hard work balanced with schoolwork, performing,and of having to travel long distances on a weekly basis to continue her singing lessons with her much loved teacher
It is this eye for detail and perfection, plus utter professionalism that drives Julie Andrews on to greater heights - the West End and then Broadway beckon, with great success, and a career beyond which will hopefully be covered in her next autibiography - part 2.
Why We Love Julie September 9, 2008
1 out of 1 found this review helpful
After spending two hours in line to get her to autograph my copy of this book, I was hoping it was worth reading. And it was. It only reinforced the reasons I have always admired Julie Andrews. She was honest about her not-so-auspicious childhood and never resorted to "artistic temperment" to defend herself for her failings. She was gracious to all the people she mentioned, including her step-father. She defended him for his contribution to her career without denying the reasons she had for sometimes disliking him.
Her humility, warmth and sensitivity should be a lesson to all those who are in her profession. But sadly, many celebrities revel in their own mediocrity and ego and learn NOTHING about honesty within themselves. Julie Andrews proved that celebrity and talent are gifts to be shared with the public with generosity and humility, NOT an entitlement used to fool and abuse an unsuspecting public. I have admired her for 40 years, and will continue to do so for another 40.
Bittersweet memoir filled with grace August 18, 2008
In Home, A Memoir of My Early Years, Julie Andrews reveals a difficult childhood in war torn Britain. Born to a mother with dreams of stardom of her own and a father prone to drink, she weathers the German's Blitz that ravaged London. Her parents eventually divorce and her mother remarries. Julie begins her performing career locally and eventually branches out to radio, music halls and eventually a command performance before the Queen (the youngest solo performer age the age of 12). Continuing to draw audiences Julie eventually accepts an offer to perform on Broadway and leaves for the US at age eighteen.
While her performing career was on the rise, Julie was not as secure at home. Even though she traveled and performed with her mother and step-father, her mother was prone to black moods and struggled with Julia's rising fame. Both her mother and stepfather had drinking problems. There are family secrets that could shake the family apart. Julie becomes the partial caretaker and support of the family at a young age and depended more and more on people outside the home to provide comfort and support for her. When opportunities to move on and go to America, these are the people who assure her that home will be taken care of, it is her time to go. This is a tender memoir that doesn't shy away from difficult memories. What makes this so heartwarming is the care she takes with her story. Clear eyed and honest, she tells an engrossing tale of a difficult childhood and the ability to find humor and good in those times.
Tough Life; Tough Woman August 8, 2008
2 out of 2 found this review helpful
This memoir reads as if it were two different books. The part dealing with her early work in British musical theater (after her emergence from the dying music hall tradition) reads mostly, but not entirely, like a stereotypical "show-biz" memoir, full of good friends, great colleagues and generally lovely people. It is saved from utter cliche by two things: First, Andrews clearly portrays the hard, wearing and sometimes humiliating work that goes into performing at the highest levels (particularly while trying to establish one's self). Second, she portrays some of the nastiness that can go on in this world where your status rises and falls with each performance and your ego and self-esteem with it. Fear of failure is powerful and all-pervading.
Andrews provides a number of startling vignettes that are distinctly not of the "beautiful person" school. There is Rex Harrison trying hard to get the very young (around 21) Andrews fired from My Fair Lady during rehersals while she was struggling to find herself in the role. Harrison did not care one whit who (including Andrews) might overhear him or the obscene and abusive language that he used. There is Richard Burton dealing with the pressure of performance in Camelot by the occasional heavy drinking binge and appearing on stage while totally drunk. Burton, a famous and successful womanizer, also tried to seduce the younger Andrews and did not scruple to try to manipulate her into his bed by undermining her sense of security as an actor in working with him. Nasty stuff and there are other such stories involving lesser known people. It is worth noting that Andrews does not mention receiving any help from other cast members while Harrison was busy trying to destroy her. The great director Moss Hart, however, showed enormous faith and patience and worked one-on-one with her to save her confidence, her role and probably her theater career. She says that she loved him for it, and I do not doubt her.
The other book, though, is about her childhood; and the events that it relates are often bleak and occasionally harrowing. Born in 1935, Andrews clearly remembers the bombs falling on London during the Battle of Britain and the Blitz of 1940-41. Her mother was an accomplished pianist and her Dad (as she always calls him) a working man. Her mother was working as a pianist at a resort when she met another man and left the family to live with him and eventually marry him. The two of them formed an act for the British music halls (vaudeville). Her mother insisted that Andrews come to live with her and her new husband and Dad acquiesced. This was a terrible blow to Andrews because Dad was essentially the only source of love in her life that was reliable, responsible and unconditional.
Nonetheless off Andrews went. She neither liked nor trusted her stepfather whom her mother insisted that Andrews call "Pop." Her new parents were busy working on their music hall career and became successful enough to be "second top" performers, especially after they discovered Andrews's amazing voice and other talents. She became part of the act and traveled with them. Success did not last, however, because Pop had ever growing alcohol problems which eventually affected his work and made him unemployable. Money became scarce, and he reacted in a very typical way: he began first to have flaming arguments and then to beat first his wife and eventually their two younger sons. Andrews, in her room, overheard many of these episodes and felt guilt for not somehow intervening. She is certain that her mother, whom she believes was abused in her own childhood, sometimes deliberately goaded Pop until he exploded into violence.
Pop apparently never beat Andrews but did make sexual advances to her at least twice, once when she was about ten and again when she was about 16. Each time she successfully forestalled him; but after the second occasion her mother's sister had a lock installed on Andrews's bedroom door, a necessary precaution as the drunk and befuddled Pop tried the door just after the lock was installed. He never tried again.
Andrews's primary sources of love and comfort during these times were her Dad, her aunt (she of the bedroom lock) and her voice teacher. Only her aunt had some periods when she was around Andrews more or less constantly. Her Dad could not be, but he seems to have simply suffused her with love when he was able to see her.
Andrews now became the main breadwinner for the family as her mother also slipped into alcoholism. Her mother informed her that if she failed they would lose their house, so there was plenty of pressure on a very young child. Her mother also one day took her to a house party and had her sing for the guests there. The party's host then questioned her closely. On the way home her mother informed Andrews that this man was Andrews's actual biological father. Her Dad, who loved Andrews's mother, had married her while she was pregnant and raised Andrews as his own child. This must have been shocking to Andrews but she does not make much of her reaction, and it certainly did not affect her relationship with her Dad.
We now know how deeply unsettling, indeed devastating, this sort of family background can be to the emotional life of a child and the adult that they grow to be. Some people can be emotionally stunted in various ways for life. Andrews herself is unlikely to be unscathed. The prose style that she employs in discussing these events is telling in this regard. She writes frankly and clearly about them, but she is guarded. Her tone is matter of fact, much as if she were describing what had happened to someone else. It is a tribute to her that she was able apparently to be not merely functional but greatly successful as an actor, a mother and a wife.
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